KidScreen 2011 Gets Underway

Today was the first day of the expanded KidScreen Summit for 2011 and I already had several really great meetings. There were no regular sessions today, just day-long master classes for those who paid an additional fee, but that gave those of us who were meeting a chance at finding a seat. I'll start going to sessions tomorrow, of course, and will probably be tweeting with the hashtag #kidscreen11, which is how you can find out about all the goings-on. My twitter name's randyastle, btw.

A note on the show

Just wanted to say Saturday's Milkshake show was everything that was expected--a little bottle of sunshine while it was raining outside. It helped cement my belief that the Just Kidding series is one of the great opportunities for New York families. This Saturday: music of the African diaspora from Heritage OP (Organic Percussion). Check it out.

Just Kidding at Symphony Space

One of the coolest things about living in New York is all the wonderful venues and events going on for youth and families all the time. Symphony Space in the Upper West Side is one of the great continual fountains of such events. Thus far, because of my interest in children's film, I've only attended the New York International Children's Film Festival (this year's tickets just went on sale a few days ago). But this Saturday I'm excited to go to a performance by Milkshake as part of Symphony Space's Just Kidding live event series. I've been vaguely aware of the series for quite a while but have never found out much about it or, obviously, attended, so it's exciting to not only see Milkshake again but tap into one of the best children's concert series in the city.

Of course, calling it a "concert series" is a little myopic, as I found out yesterday when I got to chat with Darren Critz, the performing arts director who curates the entire series. (He's the one on the left, I believe.)

Darren's a really affable guy--and incredibly knowledgeable about children's music, as I found out. He has two main programming dicta that reflect this: the first is that any performers have to be quality musicians (or dancers or thespians), and on top of that quality live performers--they have to not only sound good on their CD but engage kids at the back of a 750-seat hall. His second rule of thumb is that he wants as broad a range of music as possible, from the country sounds of Farmer Jason to pop and rock acts like Milkshake, Recess Monkey, and the Sugar Free Allstars, to, this season, international and native music such as from folk artist Suni Paz, the Thunderbird Dancers (who present an array of Native American dances), and, all the way from Cuba for the first time since 2002, los Munequitos de Matanzas (who will be giving shows for both families and adults sans kids). This array is already striking, and Darren envisions getting more artists from outside the U.S.--as well as just from outside the city--coming in and presenting their work.

Since college I've striven to be eclectic in my musical choices, so I appreciate being able to expose my daughters to such a broad spectrum of live performers this early in their lives. Tweens, it seems, have started to solidify in the type of music they like, and they're hesitant to try anything new. And parents are even worse. So Darren sees the Just Kidding series as an opportunity to expand parents' musical worlds as well as kids'. Parents are more likely to take children to a concert of music that they wouldn't normally listen to just to expose the kids to it--and the upshot is that the parents are exposed as well. One of the best things about the entire series, in fact, is watching parents get into shows and rock out with their children.

That brings me to what I believe is one of the most important purposes of live events--be they music, dance, theater, galleries, picnics, or anything else--they allow for greater interaction between parent and child than more passive (socially constrained) experiences like watching a movie. I wrote about the value of interaction between parents and children in one of my first posts on this blog (it's point #4); suffice it to say here that the type of talent lined up for Just Kidding is exactly what you would want for this type of interaction. And groups like Milkshake are great, as we discovered with our infant last year, because they pack so much more into a performance than just the music. There's such a strong visual component, as Darren pointed out, that they can entertain very, very young children (as well as adults).

Here are some other really cool things I learned about Just Kidding:

* In addition to pushing international performers, future series (which run from October through April generally) will have a stronger component of theater and dance. I'm really pleased about that.

* If you miss a performance or don't live in the city, chances are it will have been recorded and you can catch it online at Symphony Space Live. Note, that's for grown-ups' performances as well as kids', and included discussions and presentations as well as performances.

* Also, there's a lesser known book series that brings literature into the mix. These presentations aren't as frequent as those with musicians, due to publishing dates, author availability, and general book tour issues, but they're definitely worth checking out. (These are generally for 7-11 year-old readers, btw--chapter books and easy novels rather than picture books.) The next one is with Laurie Halse Anderson on March 20, with Lincoln Peirce on April 10. Authors do various things, but they include readings, discussions of their works, and even writing workshops with the kids. There are eight to ten of these a year (and, again, there are adult authors as well).

So there's definitely a lot going on--congratulations to Darren and everyone at Symphony Space for keeping such an outstanding series going for roughly a decade now. As far as this Saturday goes, I'm excited to see Milkshake again; we often listen to their music during breakfast to get my seven-year-old moving in the mornings, and I'm excited that she's excited to see them in person now that she can sing along. That kind of reaction from the kids is what these live events are all about.

New Study on Children's Books and Bookstores

A few days ago Publishers' Weekly had a good article about a new study on youth reading and book-purchasing habits. It's a very interesting short little read, with some expected information and some surprising findings, such as that teenagers rate reading books as their third favorite leisure activity and that over 80% of them don't read ebooks. Interesting.

BAMkids Festival in February

Just a quick note that the schedule for the BAMkids Film Festival in Brooklyn is up and available. It's a great event--looks like an excellent line-up this year--that's happening the first weekend in February. Check it out and if you're at all able it's a great event with shows for kids of all ages.

And speaking of events in New York, check out my post on my other blog about the reopening of the Museum of the Moving Image in Queens; it's a great venue for kids and adults alike, and the new floor space and exhibits will just make it that much better.

Top 50 Kids' DVDs

The folks at NYICFF and GKIDS.tv have put together a list of what they consider the best fifty DVDs for youngsters. I skimmed through it and saw some titles I definitely would include in such a list of my own and many others that I haven't yet seen or haven't even heard of. The international scope is impressive and it's a list well worth keeping on hand (with Netflix links conveniently provided).

Christmas with Milkshake

I think I've got a few regular listeners out there, and you will know that although I don't frequently write about kids' music here I am an inveterate fan of Milkshake, one of the most sophisticated and fun bands in the industry. The past two weeks I've started using their newest album "Great Day" (which got them a Grammy nomination) to get my six-year-old out of bed in the mornings and actually eating her breakfast, instead of just staring glazed-over at the food in front of her. What surprised me, though, was that a couple days ago my 14-month-old was dancing on the floor to "Statue of Me," a trick she's repeated with other songs every day, including this morning.

Well, I coincidentally received their newsletter this week as well, with the announcement that, at the request of fans, they're working on a Christmas album for 2011. They couldn't get it all done for this season, but they have completed a single--and a video--called "Christmas in Baltimore." Check it out on their YouTube channel. I like the dirty Super-8 look of this; it really goes well with the quiet of the music and the peaceful sub/urban feel of the city we see in the footage. Maybe just a few more shots of the city would be nice, but the feel is still really nice. I was actually down in Baltimore two Christmas seasons ago--my then four-year-old saw Santa there on the harbor, rather than at Macy's here in New York--and it was fabulous, if cold. It's nice to see the city get its own carol.

The band also has some gigs in the northeast and radio appearances this month; check out all the news on their website and Facebook page.

Brinca Dada Dollhouses

I don't often get to write about traditional toys here, but I've been meaning to mention Brinca Dada's modern dollhouses since I first saw a prototype probably over a year ago. I'm friends with the design principal Tim Boyle, a professional architect turning his skills to the world of toys, and in person this Emerson house is a really impressive sight. The kids I've seen interact with them love them, and my impression is that they've been getting fantastic reviews as well, like in this recent article on "Bauhaus meets dollhouse," which discusses a range of modernist dollhouse designers; I also enjoyed this interview with the CEO Douglas Rollins. If all the attention lately seems to have been on digital toys and gaming, it's nice to see such well-crafted design going into "low-tech" toys. Check out all that the house does, plus the furniture(!), at the company's website. And check out the more vertical structure and the muscle-flexing minimalist dolls who inhabit it.

The full-sized Emerson house comes at $329 and, though I'm not privy to any inside secrets, I suspect that a smaller, more economical model will be available soon. But at any rate the website inhabitots is giving away a free Brinca Dada Emerson house right now.

Facebook for Kids

The youth research firm Smarty Pants recently released their list of kids' most beloved brands (i.e. a combination of brand awareness and brand loyalty), and though the Wii topped the list Kidscreen on Friday had an interesting little article about Facebook's amazing jump up the charts. Here's what Kidscreen's Wendy Goldman Getzler had to say (read the original here), and here's Smarty Pants' listing of top brands, which is incredibly interesting reading in and of itself, even without the Facebook connection. (Like, what does it mean that Walmart is #51?)

Facebook's age limitation isn't stopping US kids from naming the world's largest social network among one of their Most Beloved Brands this year.

According to an annual study by youth research firm Smarty Pants entitled Young Love, Facebook's brand-affinity ranking among kids ages six to 12 jumped 85 positions in the past year and is now a Top 100 brand among tweens nine to 12.

Facebook jumped from #181 to #126 this year among kids six to 12 and to #91 among tweens, making the social network's shift in ranking among the most significant increases of the 270-plus brands evaluated by more than 4,500 children.

Brands that facilitate a family connection seem to dominate the top spots on the Beloved Brands list, with Nintendo's Wii holding the number-one spot, followed closely by McDonald's, M&M'S, Disney Channel and Oreo. Apple's iPod Touch and iPad made 2010 debuts at #35 and #109, respectively.

FCC launches a new site for parents

I just learned that the FCC has launched a new site called Parent's Place. The url is http://reboot.fcc.gov/parents/. It's billed on its homepage thus:

"From televisions to laptops to cell phones, electronic media have become our children's almost constant companions. Get information about how to improve your children's safety in today's complex media landscape, and what the FCC is doing to help."

It's still in beta but looks like it could be useful, with resources on parental controls for televisions, online safety, and even the media's relationship to childhood obesity. I'll put a link in my blogroll as well.

Republicans versus Sesame Street

...And all of PBS, PBS KIDS, the Corporation for Public Broadcasting, essential grants like the tremendous Ready to Learn grant that was announced over the past few weeks, and other government support of public media--and hence a large portion of children's media in this country. And those grants, btw, don't just go to organizations like CPB but to private production companies as well; Wildbrain just received a joint five-year grant with Chicago's WTTW, for instance. (Read here for more on all the amazing projects the grant will be funding in the upcoming years.)

Public broadcasting has always been controversial in America; Sesame Street had political opponents from the right since its very inception, when public broadcasting emerged as one of the great achievements of President Johnson's Great Society. And conservatives have essentially kept up the drumbeat against it, even while raising their children on Sesame Street and Mr. Rogers' Neighborhood. And now in the wake of Juan Williams' well-earned dismissal from NPR for inflammatory comments against Muslims the Fox News contingent of Republicanism is at it again, calling for complete defunding of programs like NPR and CPB, claiming them to be elitist and therefore a waste of tax-payer money. (Is Sesame Street really elitist? because it's elitist to aspire to basic literacy? Then so is every well-meaning privately-funded children's show, unless you want everything to turn out like SpongeBob Squarepants. I guess in their book that show is populist.)

This is normally a politics-free blog, but a lot's at stake next Tuesday--and this doesn't have to be a left-right issue anyway. Still, public broadcasting isn't at the top of the list of public awareness, and it's probably not in real danger of dissolution, but the audacity of the Fox commentators and the supposition that the marketplace will provide for media--children's or adult--that is in the best interest of society rile me. There would be no children's media industry today in this or any other country without public funding; and it's continuation is essential to ensure a check on private profiteering with our children. (I really think PBS helps keep the private stations honest, away from being 24-7 toy and junk food commercials.)

So let's rally to restore a little sanity and let the country know that, for conservatives and liberals both, removing publicly funded television from the air is no more viable an option than, say, privatizing the FCC. And keeping public funding going will neither impose elitism on poor American viewers or drive out of business private companies like Disney and Viacom--or even the little guys like Wildbrain (who just might get a grant!). Don't let Fox News become the voice that defines American media, especially for our children. And please check out Timothy Karr's Huffington Post article on the same topic.

Oh, and also watch the Grouches' opinion:

I Love My Hair

I just caught up with this Sesame Street video written by Joey Mazzarino that's apparently already gone viral. Check out this ABC story about it. It's great to see such small simple videos having such a tremendous impact, and that's one of the things that Sesame Street does best.